The New polyphony of Iranian (Poly Modales) music, by MORTEZA HANNANEH who took part in 12th International Rostrum of Composers, Paris, from Radio Iran achieved an international success. For 19 years, I have analyzed "The Execrable Capricce Op.13", His most important work and I found many secrets (Codes) which were very painful. The Tehran symphonic Orchestra, have not been perform and record the last version of this work (Op.13).

After research on his harmony and polyphony in his latest works, I found my new vision on Iranian Modern music ( Composition) and I want to prove my theory, which on the basis of temperated Modes ( Indo-eorupians Modes) and genuineness of Iranian rhythms and poly rhythms based on Farsi. 144 modes use in this system. The "dominant" is 4th degree of my scales which named "Gamme de mode". then "Gamme de Contremode" will show its roll in contrpoints and Harmony. The " Contrastes phylosophy" play the important idea in my vision. Now i can show confusenal and conceptual music which not only instrumantal fusional music. For exp. I joind two tetracords from 2 part of world, which common in 4th degree, The Dominant..

.امیر علی حنانه یکی از موضوعات مورد بحث در کنگره جهانی موسیقی یونسکو.


 

نوشته شده توسط امیر علی حنانه در یکشنبه هفتم تیر 1388 ساعت 1:38 موضوع | لینک ثابت